‘Enter Sandman, Exit Light’ published in Tincture Journal #9

February 28, 2015 Leave a comment

Issue Nine has landed

Fiction, Poetry, Creative Non-Fiction and Interviews from our favourite writers

Fiction by Nick Marland, Ramon Glazov, Tayne Ephraim, Amelia Marshall, Anna Spargo-Ryan, Bel Woods, Laura McPhee Browne, Cathy Adams, Guy Salvidge, Katherine Robb and Jeff Meisner. Poetry by Matt Hetherington, Mark William Jackson, Anne Elvey, Les Wicks, Ica (Veronika) Gvozdeva, Jonathan Hadwen and Michele Seminara. Creative Non-Fiction by Miodrag Kojadinović, Cindy Matthews, Bastian Fox Phelan and Sean Lynch

It’s been a fairly long time between story publications – just over a year – but I’m happy to report that my story ‘Enter Sandman, Exit Light’ has just been published in the e-pages of Tincture Journal #9. Editor Daniel Young has done an incredible job of bringing this publication to life over the past two years. I’m impressed, not only with the outstanding work in these pages, but also by the fact that Tincture has continued to come out quarterly for two years while continuing to pay writers for their work. I had a story in the first issue and, to be honest, I wasn’t necessarily expecting the journal to be going strong after two years when so many others seem to fall by the wayside, but credit must go to Daniel and his team.

Each issue of Tincture Journal is available for $8 in either epub or mobi format, and you can buy the 2014 Bundle, including four issues, for a measly $12.50. This magazine is a great showcase of emerging talent from Australia and elsewhere in the world. My story in this issue, ‘Enter Sandman, Exit Light’, is a ‘Housos vs Raymond Carver’ tale of Rufus, an angry young man with one thing on his mind and Amelie, his long-suffering partner. I’m quite proud of this one!

Get yourself a Tincture!

2014 in Review: My Top Ten Reads

December 21, 2014 2 comments

2014 has been a watershed year for me in terms of the quantity of books I’ve read: for the first time since I started recording these things in 2008, I’ve hit 100 books completed for the year. Most people are fairly astounded when I tell them I read this many books in a year, but I do favour shorter novels and it probably only averages out to about one hour of reading per day across the whole year. That’s an hour that many other people would spend watching television, say. It’s not that I don’t waste time on trivial pursuits — I certainly do — but my commitment to hunting, buying and reading books is such that I always have an immediate to-read list of 10-15 titles.

I tend to be an ‘author reader’, by which I mean that once I decide that I particularly like the work of a certain author, I will hunt down every book by this author and hopefully read every word. It doesn’t always work out this way; at times I decide that I’m not so interested in a certain writer after all, and end up with a pile of their books that I no longer want to read. In 2014, I read three or more books by the likes of Pat Barker, Larry Brown, Mikhail Bulgakov, Michael Chabon, M John Harrison, Haruki Murakami, Peter Temple and Alan Warner. Most of these writers would normally be classified as authors of literary fiction or crime, and that’s a fair representation of where my reading interests now lie. I read a number of young adult novels as part of my job as an English teacher, some of them multiple times, which rather pads out my overall figures. My author of the year would have to be Mikhail Bulgakov. Until this year, I hadn’t read a word of him and now I’ve read his entire published prose output.

2014 may have been a watershed year in terms of quantity, but what about the quality? According to my Goodreads star ratings (which I have completed very assiduously this year), 21 books gained a five star rating. Of these, I have chosen my top ten reads for the year, limiting myself to just one book per author. Here are the ten in no particular order. All come highly recommended from me. Clicking on the covers will take you to the listing for the book on Goodreads.

Union Street by Pat Barker

I’ve now read almost all of Barker, with the exception of her novel Double Vision which I can’t seem to get into. This novel, her first, is the very best of her non-WWI output. Grim, dark and extraordinary powerful.

The Master and Margarita by Mikhail Bulgakov

In truth I possibly enjoyed A Country Doctor’s Notebook even more than this, but this is the magnum opus and the place where pretty much everyone starts with Bulgakov. I don’t regret giving this devilish satire of Stalin’s Russia my attention.

My Summer of Love by Helen Cross

A friend recommended this and I’m glad she did. I thought this was far superior to Cross’ second novel, The Secrets She Keeps. I loved the writing in this one and the plot had a couple of real kickers to it, too.

An Iron Rose by Peter Temple

Peter Temple is the Australian master of crime fiction and this is one of his very best, maybe the best of them all.

The Dark Road by Ma Jian

Ma Jian is my favourite Chinese writer and I’ve been waiting patiently for some years for a follow-up to Beijing Coma. Well, it was worth the wait. Not for the faint-hearted, the squeamish, or those inclined to depression. It’s that dark.

The Sopranos by Alan Warner

I’ve read a lot of Warner this year, probably two-thirds of his opus, but this one had me laughing the hardest and it’s not often that happens when I read. The sequel, The Stars in the Bright Sky, is a pale imitation.

Dirty Work by Larry Brown

I have mixed feelings about Brown but I have nothing but praise for this, his first novel. The book consists of two profoundly injured Vietnam War veterans chewing the fat, but it’s fat well worth chewing. Here’s a book with heart.


I Hate to See That Evening Sun Go Down by William Gay

I love country noir fiction: Harry Crews, Daniel Woodrell, Donald Ray Pollock, Larry Brown, Larry Watson and Cormac McCarthy all write it and write it well, but in my opinion none of them does it better than Gay does in this exquisite volume of short fiction. I’d go so far as to say this is my number one book for the year.

The Master of Petersburg by J. M. Coetzee

I like Coetzee: he’s an enormously skillful writer but at times I find him overly dry and that put me off him for a couple of years. The Master of Petersburg isn’t dry and I think it’s even better than his most famous novel, Disgrace. The Russian setting helps, but I don’t think it’s unreasonable to suggest that Coetzee is the greatest living writer in the English language.

He Died With His Eyes Open by Derek Raymond

In general I’ve liked but not loved the Factory novels, but this one, the first, is very good indeed. I happened to read this after books 2, 3 and 4 and in a way I’m glad that I did, because it was all downhill (admittedly at a gentle slope) from here.

Nova Swing by M. John Harrison

Now this was a surprise. I loved Harrison in my younger years, especially his sumptuous Climbers, but he’s started writing SF again and in general I haven’t warmed to it. I despised Light when it first came out and thus this has sat unloved on my bookshelf for close to ten years, which is a pity as I enjoyed it immensely when I finally got around to it. The same couldn’t be said for the final volume in the Kefahuchi Tract series, Empty Space, which I found close to unreadable.

Four of my PKD reviews see the light of day (again!) in Big Sky #3

August 14, 2014 Leave a comment

Well, this is gratifying. I wrote an awful lot of reviews on the novels of Philip K. Dick from 2009-2011 and published them on this blog. For a long time it seemed I was writing in a vacuum, but in 2012 all 40,000+ words were collected in Bruce Gillespie’s SF Commentary 83, for which I was (and am) very grateful to Bruce, that pioneer of PKD studies. 

Some months ago I was contacted by Peter Young, who said he’d like to include some of my PKD reviews in a fanzine he was compiling for the upcoming Loncon 3, the 72nd World Science Fiction Convention. Sure, go ahead, I said, and promptly forgot about the whole thing. Today I received an email from Peter informing me that the fanzine, or rather two of them, Big Sky #3 and Big Sky #4, were now available on efanzines, the same website where Bruce publishes SF Commentary. This afternoon I’ve downloaded the fanzines and they look utterly amazing. Even better, the fanzines feature reviews on every single SF Masterwork (published by Orion starting in 1999). If you are even remotely interested in SF, then I suggest you get thee to efanzines immediately and download this amazing resource. Thank you so much to Peter Young for his labour of love in producing this project. It makes me feel like I wasn’t writing in a vacuum after all, and surely that’s the goal of any writing project. 

It’s M. John Harrison Appreciation Week

July 28, 2014 2 comments

Things that never happen: I loved the work of M. John Harrison when I was in my early twenties. Some of the Viriconium stuff I found a bit tedious, but I delighted in his final novel in this series, In Viriconium, as well as his literary novels The Course of the Heart and Signs of Life. But my favourite of them all was his least fantastical novel of all, Climbers, which may have been the book that turned me from a reader of speculative into one of realistic fiction.

I was working in the now-defunct Supernova Books in Perth in 2002 when a review copy of his brand-new SF novel Light came in. I read it immediately, but hated it intensely. What exactly it was that I loathed about the book so much I no longer recall with much clarity.  I’m yet to re-read it to find out if my opinion on it has changed.

Twelve years passed, and in that period the only M. John Harrison I read was Climbers, for the third or fourth time, in 2008. I picked up a copy of Nova Swing, his sequel to Light, at around that time, but I didn’t immediately read and then I mislaid my copy somehow. I finally bought a replacement about two years ago, and there it sat unloved until Friday just gone.

Now, this is not to say that I think Nova Swing is the best thing going around, but I read it in two days and found it very enjoyable indeed, and exquisitely written. Either it’s different in some crucial way than its predecessor or I’m different in some crucial way to the person I was in 2002. I don’t read very much SF at all these days, but I will make an exception for Harrison the same way I’ll make an exception for Vandermeer (and yet Vandermeer’s new novel, Authority, has already been castigated to the back burner, unread).

I enjoyed Nova Swing so much that I immediately started re-reading The Course of the Heart, which I finished in less than a day (it was a wet weekend). This one I liked somewhat less than I remembered it, but I’ve just now finished re-reading Signs of Life, which I like somewhat more than I did way back when. So after a twelve year hiatus, I can say I’ve read three M. John Harrison novels in the past four days.

It could have been four novels in five or six days, had it not been for the fourteen books by other authors that just arrived from Better World Books today. I’ve got my eye on giving Light another try, and I’ve ordered a new copy of the third novel in this series, Empty Space, which came out in 2012.

Harrison is close to seventy now. He was the youngest punk of the British New Wave and now he’s a grand old man of SF. He deserves it; he clearly loves the genre a lot more than me, and he can write better than almost anyone. He’s an infuriating writer at times, obsessed with ill women, vomiting, ill women vomiting and all manner of bizarre phantasmagoria, but he’s a gem.

forever wrapped up in books – a new reading list

July 26, 2014 2 comments

I’m up to 51 books read so far in 2014, so I’m on track to match or better the 82 books I read in 2013. I always thought of myself as a voracious reader, but in fact the volume of books I read has actually increased in recent years. Since I started keeping records of every book I read in 2007 (because, you know, wrapped up in books) I seem to read a little more each year than the one previous. 47 books in 2009, 55 in 2010, 66 in 2011, 71 in 2012 and 82 in 2013 – where will it end? At the current rate, I’ll better 2013’s figure by a handful of books, and then onward toward cracking the ton in 2015, I guess.

Books are pretty damn expensive in this country, which is my poor excuse for not really supporting the ailing Australian bookselling industry. If I paid retail price (like, at least $20) for every book I read, I’d be looking at $1600 just for this year, and that’s if I could buy the books I wanted in the stores, which invariably I can’t. Oh yes, I could order them in. What a quaint concept! I remember this from the pre-internet days. But why on Earth should I do the research on a particular book I want, trundle into the bookshop (100 kilometre drive away), ask them to order said book, drive home, wait several weeks or months for them to get the book in, drive 100 km, just to pay retail price, i.e. including the bookseller’s 40% markup? I just don’t do it anymore. On occasion I will buy a book from Dymocks, the only half-decent Aussie bookshop chain left in this country, but invariably it will be from the $5 or $10 discount pile at the front. The other week I scored a copy of Megan Abbott’s new novel The Fever from Big W in trade paperback for $19. I had a look in Dymocks afterwards to see if they had it. Nup. And if they had, it would have been $30-33. Sorry, Dymocks will be next to die, following Angus and Robertson and Borders.

Back to a cheerier subject, as in the books on my current reading list. About two weeks ago I ordered 14 books from Better World Books, which I strongly suggest you check out if you aren’t aware of it. Those 14 books cost me $96 in total. Yes, they are secondhand and no, the author won’t receive any royalties. Guess what–I’m an author too (of three novels and several short stories) and I haven’t made a brass razoo out of my writing. And the other day, after picking up a copy of Murakami’s Norwegian Wood for $3 in a charity shop, I’ve ordered two more of his for under $20 in total from Book Depository. That’s 16 books for $114 at $7.12 per book. Yes, most of them are secondhand. But therein lies the problem facing the bookselling industry today. If someone like me won’t support the domestic industry here in Australia, then who will? Answer: no one. If books were substantially cheaper here, let’s say $12 per book instead of $20-23, then I’d buy a heap more locally. But I see absolutely no sign of that happening.  And the market wins.

So, let’s have 16:

Auster, Paul – The Invention of Solitude: A Memoir

Barker, Pat -The Man Who Wasn’t There,  Blow Your House Down, Liza’s England

Brown, Larry – On Fire, Dirty Work

Chabon, Michael – Manhood for Amateurs, Mysteries of Pittsburgh, Maps and Legends: Reading and Writing Along the Borderlands

Cross, Helen – Secrets She Keeps, Spilt Milk, Black Coffee

Murakami, Haruki – Kafka on the Shore, What I Talk About When I Talk About Running

Raymond, Derek – He Died with His Eyes Open, Dead Man Upright

Whorton, James – Angela Sloan

 

I haven’t read a lot of Auster but I’m trying to persevere with his often dry prose and I have an inkling that I will like his nonfiction. Pat Barker, on the other hand, is a favourite of mine and these three early novels are the only ones I don’t yet own. I’m a bit ambivalent about Larry Brown but again I’m keen to read his nonfiction (On Fire) as well as his first novel. Chabon is another of my favourites and these are the only books of his I don’t own aside from his YA novel Summerland. Helen Cross is an author new to me. I very much enjoyed her My Summer of Love earlier this year. These are her other two novels. Murakami I mentioned above. Derek Raymond’s Factory novels are very grim and harrowing. This is the first and last in the series; I’ve previously read the middle three. And lastly, I’ve previously read James Whorton’s first two novels, so now for the third.

 

Finally, here’s the song that this blog is named after. Happy listening. Feel free to post your own reading lists in the comments, recommendations etc.

 

’tis the season for writing short stories

images

I’m between novels at the moment. Thirsty Work is completed and on the publishing merry-go-round and my next novel Opprobrium/The City of Rubber Stamps isn’t yet underway, so I thought these past two weeks of holidays would present a fine opportunity for writing two or three or four shorter works. I’m happy to report that by today, day 15 of 16, I’ve managed to produce no fewer than four short stories (all under 3000 words), all of which have now been submitted to various competitions around Australia.

Writing at this length is pretty liberating, I’ve found. The short form allows you to try things that you wouldn’t dream of undertaking at novel length. For example, one of the stories I’ve written, “when the jellyfish rule the oceans”, is my take on future fantasy in the style of Jeff Vandermeer and, long before him, Brian Aldiss (especially his novel Hothouse). “jellyfish” features one young child, one technologically advanced robotic bird and one big dash of weirdness, including, you guessed it, a swarm of jellyfish. I wouldn’t dream of writing a novel containing these parts (I’ll leave that to Vandermeer), but at 2000 words, I’m game to try. I also found that using visual stimulus was actually helpful in dreaming up ideas, something I haven’t really found useful in the past. I set the image below as my desktop wallpaper while writing “jellyfish”. A cliff and those steps feature in the story.

House-on-the-Edge-of-a-Cliff-500x657

My other stories were more quotidian, but hopefully no less fun to read. What started me off on the ‘visual stimulus kick’ was the image below, which is a photograph called Destroy (Sandman). The photo, and seven other visual stimuli, are part of the Albury City Short Story Award 2014Looking at that photo, I dreamed up the seamy character of Rufus (the guy in the hat), who ended up being the main character in not one but two stories, “Enter Sandman” (which I’ve entered into that competition) and “X T Cee”. I was also listening to a lot of Metallica while writing these stories, something I haven’t done in close to twenty years. This is something I started doing fairly recently with Thirsty Work, in which I’d listen to a particular You Am I song, “Secrets”, before each day’s writing session. In writing “Enter Sandman” I listened to the Metallica song of the same name each day, but by the time I started on “X T Cee” I’d moved onto “Master of Puppets”.

patricia piccinini, destroy (sandman)2002, photograph on chromogenic paper

The fourth and final story, which I completed today, is “Killjoy”, a dorky little crime story about a couple plotting to murder their next-door neighbour, with inconclusive results. I worked out recently that prior to these school holidays I’d written no more than seven stories in four years, almost all of which have now been published in some form or another, so it was gratifying to be able to complete these stories over this past two weeks. If a novel is like a baby (and it certainly is, the author its doting parent) then a short story is more like a relative you only see once or twice a year. It’s nice to catch up, have a beer, share a yarn and then get out of there. Short stories require less commitment on the part of the author, and when they are rejected or don’t win prizes it’s far easier to be sanguine about it. Novels, on the other hand…

 

Mikhail Bulgakov, for whom “manuscripts don’t burn”

June 21, 2014 1 comment

I read a lot of books and I’m always searching for ‘new’ authors to become obsessed by. Once or twice a year I find an author especially to my liking. Preferably they’ve written a fair few books (at least 5) but not as many as 20-30 or it’ll take me forever to read everything they’ve written (see Elmore Leonard). They can be living but it’s all the same to me if they’re dead. At least that way you’re likely to get a biography or two. ‘New’ authors have to follow my ‘1918 Rule’ which simply states that they must have published their books since the end of the First World War (the birth of the modern era). I am especially partial to American authors, but I’ve read writers from all over the (mostly Western) world. In recent years I’ve been especially enamoured with the works of Raymond Carver, Daniel Woodrell and Megan Abbott, to name but three. 2014’s best ‘new’ author for me is Mikhail Bulgakov, who died in Stalin’s Russia in 1940.

I’ve read a bit of Russian literature over the years but it has tended to be single books by famous authors such as Solzhenitsyn and Pasternak. I haven’t really bonded with a Russian author before. At one point I thought I was going to like Andrey Kurkov (okay, so he’s Ukranian) but 3-4 books later my ardour for his work has cooled. I hadn’t heard of Bulgakov until I read an essay on him in Overland magazine, and that inspired me to buy a copy of his best known work, The Master and Margarita.

This novel is like nothing else I’ve read in Russian literature, which normally seems to exclusively consist of bleak realism, not that I have anything against that. Fresh from that novel, I ordered a copy of a volume of Bulgakov’s letters and diaries, which also serves as a quasi-biography. I highly recommend it.

By now I was hooked and determined to read the rest of Bulgakov’s work. Luckily for me, Vintage has six volumes of his novels and stories (but not his plays), meaning that I could get uniform editions which look nice on the shelf with their red spines. A Heart of a Dog (also known, in a different translation, as A Dog’s Heart) was an amusing read, too.

Black Snow: A Theatrical Novel (confusingly, also known as A Dead Man’s Memoir) is an interesting, albeit unfinished and not altogether satisfying satire about the Moscow theatre of the 20s. It was worth a read.

A Country Doctor’s Notebook (or A Young Doctor’s Notebook) is my favourite Bulgakov behind The Master and Margarita. I thought this was some kind of diary from the author’s time as a rural doctor duing WWI, but it turns out that the stories were written in the 20s and are highly polished. This is very good and very accessible, probably a great place to start with Bulgakov. Apparently it’s been made into a TV series, too.

Bulgakov’s only volume of short stories, Diaboliad, was suppressed during the author’s lifetime along with most of the rest of his work. Confusingly, some editions (thankfully not the Vintage) DON’T contain the novella length ‘The Fatal Eggs’ which is also available as a standalone title. Seeing as ‘The Fatal Eggs’ represents about 2/3 of the pages in the Vintage edition, that would really suck. I didn’t much like the three later stories in Diaboliad, but I liked ‘The Fatal Eggs’ (a SF story reminiscent of H. G. Wells) and especially the title story, which is something of a prototype for The Master and Margarita.

The sixth and final book in Vintage (all translated by Michael Glenny) is Bulgakov’s first novel, The White Guard, which is based on the author’s wartime experiences. Bulgakov’s most famous and successful play during his lifetime, “The Day of the Turbins”, is based on this. I haven’t got around to purchasing this sixth Vintage volume yet, but I will.

In addition to these six Vintage volumes, there are a handful of other obscure titles not available in Vintage. There’s something called Notes from the Cuff which I believe to be more short stories, there are collections of Bulgakov’s surviving plays and even a biography of Moliere which seems to be out of print. Hopefully I’ll get to these one day. Let me know if you’ve read any of these more obscure titles (or indeed any Bulgakov). I’m finding it hard to pin down exactly what I like about Bulgakov so much. He certainly seems atypical for a Russian writer, more Continental in character. His work is very dark and very funny, and the story of his life is one of perseverance in the face of the harshest of adversity. There are only a few photos of Bulgakov floating around on the internet. This one of he and his third wife, taken shortly before his premature death in 1940, I find especially haunting.

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